After a surprise announcement at this year’s Comic-Con, Legendary Pictures has announced a director and leading actor for the King Kong prequel, Skull Island. The film, set to be released in November 2016, will be directed by The Kings of Summer director Jordan Vogt-Roberts. The director recently directed several episodes of FX’s dark romantic comedy …
We are now officially half way through the year and so I’ve asked our staff to vote for their favourite films released thus far. Hollywood blockbusters may have disappointed us, but thankfully we can always rely on independent filmmakers to create some truly inspiring films. Rounding out the special mentions is Terrence Malick’s To The …
The 2013 vision of the American dream is one of grossly vapid and misplaced entitlement, if the movies have anything to say about it. As much as coming-of-age stories like Mud and The Kings of Summer are building a trend at the halfway point of the year, the new age of narcissism is making an equally bold rush on Western cinema: first, Spring Breakers; then, Pain and Gain; and now, Sofia Coppola throws her hat in with The Bling Ring, a deliberately dispassionate look at some famous-for-wanting-to-be-famous kids who stole from the rich simply because they could.
Two young boys, looking for adventure and a place to call their own, set off into the wilderness and learn a lot about themselves, adulthood, and the complexities of life in the process. This isn’t a new narrative, by any stretch, and its one that has repeated over centuries in popular culture. There is perhaps …
It is a blessing and a curse to be a teenager with a wayward imagination, the former because even the most mundane objects in life can be imbued with some sense of mystery and wonder, and the latter because the more fantastical you make the world, the more let down you’ll be when reality sets in.
The Kings of Summer is a coming of age film born from the spirit of the American sitcom. Built on the public’s enduring obsession with what it means to be a man, the film undercuts the self-seriousness of this notion through its use of sitcom-branded comedy. The film depicts the story of three teenage boys who are tired of their oppressive parents, so they find an isolated pocket in the forest to build themselves a house where they plan to live off the land.