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SXSW 2015: ‘The Look of Silence’ proves Joshua Oppenheimer is one of the best documentarians working today

In The Act of Killing, his previous documentary, director Joshua Oppenheimer employed an innovative technique to explore the atrocities committed under Indonesia’s military dictatorship. The film followed several death squad leaders who were responsible for exterminating thousands of accused communists. Oppenheimer provided these men with financing and production crews, allowing them to recreate their appalling actions on film. It was his hope that by confronting their past in this manner, the men would experience some level of remorse or moral responsibility for their actions. The Look of Silence, Oppenheimer’s companion piece to The Act of Killing, is not nearly as experimental or original as its predecessor. This is not to say that the film is without power. On the contrary, in some ways Silence cuts even deeper than its companion.

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CIFF Day 5: ‘The Look of Silence’ and ‘Low Down’

On this, my last day of the festival, I saw two films that didn’t make me smile but made me glad I was there. Both The Look of Silence and Low Down proved to be among my favorites, this despite the fact that they are bleak, hard to watch, and provocative pieces of filmmaking. The …

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NYFF 2014: Joshua Oppenheimer’s ‘The Look of Silence’ is a quietly devastating achievement

For those who already have a low opinion of humanity, The Look of Silence will do little to alleviate your misanthropy. It’s a gorgeously-crafted documentary, and it will likely resonate with people of at least decent moral standing, but it depicts humanity at its worst and offers no hope at the end. A unnervingly tranquil depiction of men as monsters, Joshua Oppenheimer’s film attempts to confront the leaders of the 1960s Indonesian Genocide, a one-sided civil war that resulted in the deaths of over one million people. The killers admit to nothing, of course, and the elected officials (“elected”)write off the genocide as “politics.” Children are programmed to think that those who were murdered deserved it: they were communists, Godless heathens, sinners. Victims’ families don’t dare address the decades-long suppression of truth because subversives are still killed in Indonesia today. It’s 2014, and the populace has been lulled into a startling state of delusion. The film, beauteous and depressing in equal measure, feels like a slowly swelling minor chord sustained for 99 minutes, with no crescendo needed.

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The Hype Cycle: Toronto, Telluride and Venice Oscar buzz (Part 2)

The Hype Cycle is News Editor Brian Welk’s roundup of industry news, reviews and predictions of everything Oscar, boiled down into weekly power rankings of the buzziest and most likely contenders in this year’s awards season. This article is Part 2 of this week’s Hype Cycle column. Read Part 1 from yesterday.  7. Foxcatcher and …

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Week in Review: ‘No Jokes’ in DC movies

We can debate all day which comic book hero is cooler: DC or Marvel? Superman or Spiderman? Justice League or The Avengers? Batman or anyone who isn’t cool enough to be Batman? But it’s no question that Marvel has a serious leg-up on DC in the movie business. Outside of Christopher Nolan’s Batman trilogy, DC …

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