The Man with the Golden Arm

As crazy, inconsistent, occasionally shoddy, and terribly corny as the film is, it is also amusing, fascinating in its own way, and, more than anything else, completely unlike anything else.

You’ve never met Saul Bass, but you know him. He is everywhere. He designed the logos of your favourite cereal (Quaker), the phone you use (At&T), the camera you have (Minolta), but most importantly the posters of the films you love. The Bass mid-century minimalist aesthetic is the face of timeless classics such as Vertigo, …

Put together to compete in the SXSW Title Design Competition, Ian Albinson has edited a large mix of some of the greatest film and television titles ever made. Slashfilm reports that the websites mission is: A compendium and leading web resource of film and television title design from around the world. We honor the artists …