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Kafkaesque Spatial and temporal distortions in Orson Welles’ ‘The Trial’

The temporal and geographical distortions that characterizes Kafka’s prose seems particularly difficult to adapt to the language of cinema. The Trial, his best-known novel, is characterized by its lack of forward motion, sending its protagonist on frantic narrative loops that continuously frustrate his desire for progress. Aside from its opening chapter, the book is pointedly …

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