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FNC 2014: Sion Sono’s ‘Tokyo Tribe’ playful, hyper-active and not afraid to experiment

This year’s Festival du Nouveau Cinema is also about audacity and novelty. A perfect example is Sion Sono’s extravagant Hip-hop futuristic gangster musical presented at the opening night of the FNC’s 10 years old program “Temps O” , an adaptation of Santa Inoue’s 1993 manga Tokyo Tribe 2.

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Sion Sono’s mad musical ‘Tokyo Tribe’ Movie Review – is essential viewing for fans of oriental excess

Foul-mouthed octogenarian rappin’ n’ scratching grandmothers. Abrasive, gold-laminated 3D holographic shamans. A scene -tealing human-beatbox waitress, buxom yakuza mistresses, sex-crazed adolescents, breakdancing ninja dervishes, and tank-wielding Shibuya henchmen. All these ingredients and more are present in the latest dish of neon-lit lunacy from Japanese provocateur Sion Sono, a filmmaker with a long and distinguished relationship with the London Film Festival following exposure for his earlier cult cuts Cold Fish, Exte: Hair Extensions, and Why Don’t You Play in Hell?. His latest film, Tokyo Tribe, is another one for the midnight movie crowd: a delirious contemporary musical based on the popular manga by Santa Inoue, it’s a phantasmagorical pop art pastiche of the American rhythms of Streets of Fire, West Side Story, and The Warriors.

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