The thing about a movie like Mad Max: Fury Road is that almost every aspect of the production felt so on-point that you could really tell that the whole team, actors, director, stunt crew, editors, camera people, EVERYONE, was totally firing on all cylinders. And Tom Holkenborg, alias Junkie XL, was no exception. Holkenborg’s pounding, …
Either I’ve been staying on top of my homework or 2015 has been an exceptionally strong year for film scores already. From blockbuster disappointments to indie oddities and mindless action sequels, film music has once again shown it can transcend its respective dreck just as much as it can enhance the cinematic experience. With film festival season …
Jurassic World is fine. Massive blockbuster earnings aside, it’s neither contrived enough to feel like another lesser sequel nor original enough to stray too far from Spielberg’s 1993 original. That uneasy cradle — between ingenuity and brand loyalty — is where tentpole franchises and their music have come to rest. With Furious 7, Atlantic Records threw …