Skip to Content

The Films of Val Lewton: ‘The Ghost Ship’ and ‘Curse of the Cat People’

After The Seventh Victim‘s disappointing returns, Val Lewton and RKO clashed over their next project. Lewton wanted a comedy, provisionally titled The Amorous Ghost, as a change of pace; studio boss Sid Rogell, Lewton’s bete noir, insisted on a sequel to Cat People, which Lewton resisted. Then RKO suggested a Universal-style monster rally, They Creep By Night, reuniting …

Read More about The Films of Val Lewton: ‘The Ghost Ship’ and ‘Curse of the Cat People’

The Films of Val Lewton: ‘The Leopard Man’ and ‘The Seventh Victim’

Val Lewton’s third horror film, The Leopard Man (1943) initially seemed promising. Based on Cornell Woolrich’s novel Black Alibi, it had more pedigree than Lewton’s previous movies. He reunited his previous team: director Jacques Tourneur, writer Ardel Wray, even Dynamite, the black leopard from Cat People. Forced again to film on the RKO lot, he …

Read More about The Films of Val Lewton: ‘The Leopard Man’ and ‘The Seventh Victim’

The Films of Val Lewton: ‘Cat People’ and ‘I Walked With a Zombie’

Val Lewton, Russian émigré turned horror master, was a reporter, pulp novelist and MGM publicity writer before moving into film. He spent the 1930s as David O. Selznick’s story editor, directing second unit work on A Tale of Two Cities (1935) and script doctoring Gone With the Wind (1939), warning Selznick it would be “the mistake of his …

Read More about The Films of Val Lewton: ‘Cat People’ and ‘I Walked With a Zombie’

31 Days of Horror: (Giallo) — Bava and Hitchcock

The etymologic history of the giallo sub-genre is well-documented by now. Giallo, Italian for yellow, refers to the cheap mystery books that at least partially inspired a cross-section of gruesome murder films from the likes of Mario Bava, Dario Argento, and Lucio Fulci.  Bava’s The Girl Who Knew Too Much from 1963 is commonly referenced …

Read More about 31 Days of Horror: (Giallo) — Bava and Hitchcock

‘The Last Will and Testament of Rosalind Leigh’ lays bare the landscape of loss

The Last Will and Testament of Rosalind Leigh Directed & Written by Rodrigo Gudiño Canada, 2012 There are, broadly speaking, two types of haunted house stories: those in which some more or less innocent stranger gets caught in the middle of some festering saga of ancient wrong, and those in which the ectoplasmic chickens of past …

Read More about ‘The Last Will and Testament of Rosalind Leigh’ lays bare the landscape of loss