Wallow

Filled with techno-babble, expert or not so expert spaceship maneuvers from artist Ian McGinty, and Catbug non sequitur one-liner gold from writer Kate Leth, Bravest Warriors #34 is sadly the beginning of the final ride for this comic and creative team. Luckily, Leth, McGinty, and colorist Lisa Moore are going out space opera style as the Bravest Warriors travel to Plum and the merwif’s home planet of Mirvahda to save it from the Colossal Matter Shark or the not so sexy love child of Galactus and the space whales from Star Trek: The Voyage Home. Leth’s script is full of moral dilemmas and tension as the Warriors must make some tough choices in their battle against the Shark. But she offsets the space jargon and rising emotions with her usual rapid fire puns, Catbug comic relief, and some incredibly clever pop culture references.

One of the mainstays of the Bravest Warriors comics and cartoons is the Holo-John. It’s a private room in the Bravest Warriors’ hideout where you can enjoy a fun simulation of your choosing while going to the bathroom. It’s like the Holodeck in Star Trek: TNG’s immature, yet creative cousin. Bravest Warriors: Tales from the Holo John is a special one-shot set entirely in this wonderful little room and shows its storytelling potential. The stories have their funny moments, bizarre bits (I will never unsee Mad Rupert’s drawing of Wallow in his undies.), and the best ones explore the relationship between the Bravest Warriors and various characters, including Beth’s dad, Pickle Chips, and the Holo John himself in a more metaphysical tale from Ryan Ferrier (D4VE) and Jorge Corona (Goners).