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Sion Sono’s mad musical ‘Tokyo Tribe’ Movie Review – is essential viewing for fans of oriental excess

Foul-mouthed octogenarian rappin’ n’ scratching grandmothers. Abrasive, gold-laminated 3D holographic shamans. A scene -tealing human-beatbox waitress, buxom yakuza mistresses, sex-crazed adolescents, breakdancing ninja dervishes, and tank-wielding Shibuya henchmen. All these ingredients and more are present in the latest dish of neon-lit lunacy from Japanese provocateur Sion Sono, a filmmaker with a long and distinguished relationship with the London Film Festival following exposure for his earlier cult cuts Cold Fish, Exte: Hair Extensions, and Why Don’t You Play in Hell?. His latest film, Tokyo Tribe, is another one for the midnight movie crowd: a delirious contemporary musical based on the popular manga by Santa Inoue, it’s a phantasmagorical pop art pastiche of the American rhythms of Streets of Fire, West Side Story, and The Warriors.

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L’Affiche – Saul Bass

You’ve never met Saul Bass, but you know him. He is everywhere. He designed the logos of your favourite cereal (Quaker), the phone you use (At&T), the camera you have (Minolta), but most importantly the posters of the films you love. The Bass mid-century minimalist aesthetic is the face of timeless classics such as Vertigo, …

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Saul Bass: Five from the 60s

A galaxy of intricate geometric patterns floating hypnotically towards you; a grid of horizontal grey lines stabbing across the screen; the figure of Robert De Niro falling through a sheet of flames that segues neatly into a series of dazzling neon backdrops. The opening credits from Vertigo, Psycho and Casino all bear the distinctive hallmark …

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